Production
Professional video production.
From a company film and a commercial to product video, interviews, podcasts, events or a steady content cadence.
Concept, shooting, editing, colour grading, graphics and delivery formats.
When clients usually bring us in
- you're preparing a product launch
- you need a company film
- you want a steady content cadence
- an event needs to be filmed and edited
What this means for you
- Content delivered in every format at once.
- One shoot day, months of publishing.
- A crew that also understands event technical requirements.
Production flow
How it works
Brief
Objective, audience and channel.
Concept
Script, shot list and production plan.
Shoot
On location or in the studio.
Edit
First cut, revisions, graphics and colour.
Delivery
All formats for web, social and screens.
Which kind of film solves which problem
| Purpose | What gets made |
|---|---|
| introduce a company or a team | a corporate film of two to three minutes that does not date within a year |
| sell a product or service | a commercial with one clear message and versions by length |
| explain how something works | an explainer with graphics, often without a location shoot |
| show an event | an event recap plus short cuts for channels |
| publish regularly | a series of short pieces from a single shooting day |
| carry an event live | a multi-camera stream with vision mixing and a recording for the archive |
What actually happens on a shooting day
A shooting day is not eight hours of filming. Setting up camera, sound and lighting takes one to two hours, and every location change another thirty to sixty minutes. Grouping shots by room rather than by script order is usually the difference between one shooting day and two.
- setup and a sound check before the first take
- shooting grouped by room, not in script order
- cutaways that give the edit somewhere to cut
- checking the material on location before the crew leaves
- a backup the same day
What you receive
- the finished film in the agreed formats and lengths
- versions for individual channels
- subtitles where agreed
- photographs from the shooting day where in scope
- source material and a project archive as agreed
Who is on the shoot
The crew is sized by complexity, not by the size of the client. A simple corporate film can be two people; a multi-camera production with a stage needs considerably more.
- director or shoot lead
- camera operator and camera assistant
- sound recordist for multiple speakers or noisy locations
- gaffer where lighting is built
- production manager for multiple locations or contributors
- editor who takes the material the same week
What video production covers
Video production is not filming. The shoot is one day in the middle of a process that starts with who the film is for and what the viewer should do afterwards, and ends with files prepared for the channel where they will be published.
Skip the first part and you get a film that is beautiful and does nothing. Skip the last and you get a film that cannot be published where it belongs.
- concept: objective, audience, channel and message
- script and shot list
- production plan: locations, crew, equipment, dates
- the shoot with the right crew and equipment
- post-production: editing, colour, sound, graphics
- export in every required format and length
Which kind of film for which purpose
The word “video” covers very different things, with different costs, timelines and crews. The first decision on a project is which of them actually solves your problem.
Company film
Who you are, what you do and why someone should work with you. Used on the website, in sales and in recruitment. It lives for years, so it is not tied to a campaign.
Commercial
Short, sharp, made for advertising. Every second costs, so the script matters more than the equipment. Usually delivered in several lengths for different channels.
Music video
A music film with its own visual language. Closer to film than to advertising; it needs a concept, locations and often a larger crew.
Event film
An event happens once and does not repeat. Number of cameras and reliability matter more than the perfection of any single shot.
Social content
Vertical format, the first few seconds decide, and several versions from one shooting day. Made for volume, not for a single piece.
Aerial footage
A drone adds a sense of place - the location, the building, the scale of an event. On its own it is not a story; it works as part of a larger film.
What drives the scope and the cost
We do not publish prices, because the range is too wide for any number to be honest. We can say what drives it - so you know where saving makes sense and where it does not.
- the number of shooting days and locations
- crew size: one operator or a multi-camera setup
- whether actors, a presenter or a voice-over are needed
- the amount of post-production: editing, graphics, animation
- how many final versions and lengths
- music rights and how long the film will be used
The biggest difference in cost is almost never the equipment. It is the number of shooting days and the amount of post-production.
Video and television production in numbers
A few projects that show the range of work, from a television series to a single production day. On all of them we handled filming and post-production.
| Client | Type | Scope |
|---|---|---|
| Miss Slovenije 2025/26 | television series | 7 television episodes, around one month of production |
| Champ Sprememba | television production | around two months of production |
| Adria Mobil | corporate video | production for an international industrial brand |
| Derma Klinika Maribor (for AP Marketing) | TV commercial | several locations, one production day |
| Blast Tehnik | product film | the machine shown at work |
| Pink Mess | ongoing content production | a repeatable process instead of one-off shoots |
Where we film
We are based in Novo mesto and film across Slovenia, including Ljubljana and Maribor, and abroad. We shoot in the studio or on your premises: on the production floor, in the office, at an event or on location.
How the production runs
Brief
What has to be produced, for which channel, by when and at what scale.
Pre-production
Script or shooting plan, locations, dates, crew and equipment.
Production
Shooting days with a crew covering camera, sound, lighting and direction.
Post-production
Editing, audio, colour and graphics through to an approved final cut.
Delivery formats
Versions for broadcast, web and social, ready to publish.
Related work
Sub-pages
FAQ
Where do you film?
Across Slovenia and abroad, in the studio or on location. We are based in Novo mesto.
What do we need to prepare before filming?
The purpose of the video, where it will run, the key messages and the person who approves content on your side. We prepare the script and shooting plan.
Do you also make AI video?
Yes. For explainers, visualisations and language versions we use AI video production, often combined with filming.
Do you also make videos for recruitment or internal communication?
Yes. We produce corporate video in versions for company presentation, recruitment and internal use, from the same shoot.
Who have you filmed for?
Among others for Adria Mobil, Miss Slovenije, Champ Sprememba, Derma Klinika Maribor and Blast Tehnik: from television series to corporate and product videos.
Tell us what you need
A few sentences are enough: what you need, for which process or system and by when. We will reply by email.
- 950+projects delivered since 2020
- a monthahead of the contractual deadline for the Municipality of Sevnica
- 7television episodes of Miss Slovenije 2025/26
Related solutions
Sounds like your project?
Send us the project description, your existing system, the tender documents or the event date.
Or email info@epix.si