Television production · Series · Recording · Editing
Recording and post-production of seven Miss Slovenije 2025/26 television episodes.
Across roughly one month of production we recorded and edited the seven-part television series Miss Slovenije 2025/26.
Seven television episodes · around one month of production
Overview
- Client / product
- Miss Slovenije 2025/26
- Epix role
- Recording and post-production
- Project type
- Television series
- Scale
- 7 television episodes
- Engagement type
- project client
The project
Miss Slovenije 2025/26 is one of Epix's largest references in continuous television production.
Production ran for roughly a month and covered the shooting of seven episodes and their editing and post-production.
Unlike a single shoot, a multi-episode series demands a consistent visual standard, a repeatable production workflow and efficient handling of a large volume of footage over the whole period.
Epix was involved from the shoot through to finished episodes.
Gallery
In numbers
What the project covered
- recording of seven television episodes
- approximately one month of production
- a repeatable production workflow
- footage management and processing
- editing and post-production
- final programme preparation
Capabilities
What this project proves
The capacity to run a continuous, multi-episode television production.
Seven programmes are not one film seven times
On a one-off shoot every decision is made in the moment. In a series a decision is made once and then repeated in every episode: the same camera setup, the same lighting, the same graphics package, the same colour treatment. A viewer cannot name the difference but notices it.
- a repeatable shooting procedure rather than a new setup each time
- one graphics package for the whole series
- colour work that matches across episodes
- material management that survives a month of shooting
- editing running in parallel with the shoot
Why falling behind is the biggest risk in a series
If the first episode's edit slips, the delay carries into every following one while shooting continues and material piles up. So in multi-episode production the decisive thing is organisation: what has been shot, where it is, who has it and what is already approved.
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