Television · Long-form production · Recording · Post-production
A two-month television production cycle for Champ Sprememba.
On Champ Sprememba we handled recording and post-production of television content over roughly two months.
Around two months of production · shooting, material management, editing and post-production
Overview
- Client / product
- Champ Sprememba
- Epix role
- Recording and post-production
- Project type
- Television production
- Scale
- ≈ 2 months of production
- Engagement type
- project client
The project
Champ Sprememba is an example of a longer-running television production, where the work does not end with a single shooting day.
Production ran for approximately two months and required recurring shoots, footage organisation, editing and post-production.
Projects of this length depend on consistency over time, a dependable workflow and the ability to manage a large volume of material while holding one visual standard.
Gallery
In numbers
What the project covered
- approximately two months of production
- recurring shooting days
- footage management and archiving
- editing and post-production
- delivery of finished television content
Capabilities
What this project proves
The ability to sustain a long-term television production partnership.
Two months of production means preparing differently
On a two-month project, things you would improvise on a single shooting day become problems: contributors look different than they did six weeks ago, the season changes, equipment fails, people fall ill. That is solved in the design, not on the day.
- a setup reproducible six weeks later
- a material archive that stays navigable to the end
- backup equipment for shooting days that cannot repeat
- editing that starts before shooting ends
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